potential footage to represent the breath of the wild.
Do they still plaster construction site temporary walls with film festival posters I wonder…
Happen to be in Germany? Hungrige Knochen (eng. Hungry Bones) screens tonight at the Super8/16 – The Competition, the dresdner schmalfilmtage film festival.
I stepped up to the plate and submitted a film to the SK Challenge, using some Super 8mm footage I took during travels in previous years.
Watch it here
Vacation Tips: Rest Up
Celluloid screening in Toronto of Drown (by Chrystene Ells & Berny Hi)
“At once, I could feel sunlight warming my fur, touch the hard, brown grass of Spring, smell the shadows of midnight on our bedroom wall. I heard the patter of butterfly wings and ran in pursuit. I felt the grass beneath my paws shift and split and melt into itself.” Kitty, describing his dream of dying.
This fantastic mask was made by Chrystene Ells, Co-Producer and Designer of KaleidoCycle. I tried it on today and did some mask character developing with the direction of Chrystene. What an intriguing discipline!
I am really honoured to be presented with a personalized mask and I’m stoked to try it out more. I’ll soon get the chance. We open in less than two weeks! Read More
I went with Co-Producer Chrystene Ells to Wascana Park and shot a couple rolls of Super 8mm black and white film to be used as projection art in KaleidoCycle, a play set to open at the end of May, 2012 at the Globe Theatre [KaleidoCycle page on the Globe Theatre website]. Over the weekend the film was hand processed as a negative image in buckets in the basement lab of Daniel Suchoboki [who donated his facilities]. The results were fantastic!
These images will be projected on some of the performers live during the play.
George Bassler’s Perpetual Motion Machine
